// selected writing //
> close your eyes of flesh to contemplate first the image with your mind’s eye
Self-published edition of 60, 2011
Self-published edition of 60, 2011
> throw the cobwebs from your eyes
Self-published edition of 100, 2011
Self-published edition of 100, 2011
> In the void, behind your eyes
in: Brutalist Speculations and Flight of Fancy, Site Gallery, Sheffield, UK, 2011
in: Brutalist Speculations and Flight of Fancy, Site Gallery, Sheffield, UK, 2011
> foreword (the language in the darkness of the world through inverse images)
visual essay, in: Monaco Magazine #3, London, 2011
> Zwischen Brache und Gedächtnis. Künstlerische Überlegungen für den Gedenkort ehemaliges „Jugendschutzlager“ Uckermark
in: Unwegsames Gelände ; Das Jugendkonzentrationslager Uckermark – Kontroversen um einen Gedenkort (Hrsg. Forschungswerkstatt Uckermark), Metropol Verlag, 2011
> Arbeit mit Positionen zeitgenössischer KünstlerInnen – welche Art der Geschichtsvermittlung?
In: Dokumentation, 7 x jung, Berlin, 2010
In: Dokumentation, 7 x jung, Berlin, 2010
> When I look back, I’m in two minds about what I did
Self-published edition of 250, 2010
Self-published edition of 250, 2010
> Norton Avenue. Three Blocks West of Degnan Boulevard
Ein Magazin über Orte Nr. 5 ( Summer 2009)
> Moscow Times
in: Kaliningrad. Book of photographs by Elmar Bambach and Julia
Maquardt and texts by Dominique Hurth and Ciarán Walsh (Proof completed March 2009)
> The Chorus of Things – Werkbundarchiv - the Museum of the Thing,
On Site Issue 22, Alberta, Canada, 2009
>
La vieillesse
A bit of matter and a little bit more
Stan Douglas Monodramas
Dine nach Katastrophen
The Real Thing
On Quotations
published online on paramnesia berlin, 2008
> Abteilung E-
Travelogue, Shadow Perimeters, Summer 2008, Berlin, Germany
> Kaliningrad, the Near Abroad
Monu 8, Magazine for Urbanism, March 2008, Rotterdam,
Netherlands
> Schnittstelle Kommunikation,
Künstlerische Kommunikationsformen in sozialen Handlungsräumen, 2006, Berlin, Germany